Antonio D'auria - Scala Maggiore e Modi - 2
SCALA MAGGIORE E MODI 2
LEZIONE
4/4
Gtr I
S S S S S S S S S S S S S S S S S S S S S S S S +H
|-----------------------5-3-------|------------------------|
|-----------------3-5-7-----7-5-3-|------------------------|
|---------------5-----------------|-5----------------------|
|---------4-5-7-------------------|---7-5-4----------------|
|-------5-------------------------|---------5--------------|
|-3-5-7---------------------------|-----------7-5-3-(3)----|
S S S S S S S S S S S S S S S S S S S S S S S S +H
|-----------------------7-5-------|------------------------|
|-----------------5-7-8-----8-7-5-|------------------------|
|---------------7-----------------|-7----------------------|
|---------5-7-9-------------------|---9-7-5----------------|
|-------7-------------------------|---------7--------------|
|-5-7-8---------------------------|-----------8-7-5-(5)----|
S S S S S S S S S S S S S S S S S S S S S S S S +H
|--------------------------8-7--------|--------------------------|
|-------------------7-8-10-----10-8-7-|--------------------------|
|-----------------9-------------------|-9------------------------|
|----------7-9-10---------------------|---10-9-7-----------------|
|--------9----------------------------|----------9---------------|
|-7-8-10------------------------------|------------10-8-7-(7)----|
S S S S S S S S S S S S S S S S S S S S S S S S +H
|-------------------------------10-8---------|------------------------------|
|-----------------------8-10-12------12-10-8-|------------------------------|
|--------------------11----------------------|-11---------------------------|
|------------9-10-12-------------------------|----12-10-9-------------------|
|---------10---------------------------------|------------10----------------|
|-8-10-12------------------------------------|---------------12-10-8-(8)----|
S S S S S S S S S S S S S S S S
|----------------------------------12-10----------|
|-------------------------10-12-13-------13-12-10-|
|----------------------12-------------------------|
|-------------10-12-14----------------------------|
|----------12-------------------------------------|
|-10-12-14----------------------------------------|
S S S S S S S S +H
|---------------------------------|
|---------------------------------|
|-12------------------------------|
|----14-12-10---------------------|
|-------------12------------------|
|----------------14-12-10-(10)----|
S S S S S S S S S S S S S S S S
|----------------------------------14-12----------|
|-------------------------12-13-15-------15-13-12-|
|----------------------14-------------------------|
|-------------12-14-16----------------------------|
|----------14-------------------------------------|
|-12-14-15----------------------------------------|
S S S S S S S S +H
|---------------------------------|
|---------------------------------|
|-14------------------------------|
|----16-14-12---------------------|
|-------------14------------------|
|----------------15-14-12-(12)----|
S S S S S S S S S S S S S S S S
|----------------------------------15-14----------|
|-------------------------13-15-17-------17-15-13-|
|----------------------16-------------------------|
|-------------14-16-17----------------------------|
|----------15-------------------------------------|
|-14-15-17----------------------------------------|
S S S S S S S S +H
|---------------------------------|
|---------------------------------|
|-16------------------------------|
|----17-16-14---------------------|
|-------------15------------------|
|----------------17-15-14-(14)----|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staffTablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slashMisc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
