Antonio D’auria – Scala Maggiore e Modi – 2

Antonio D’auria – Scala Maggiore e Modi – 2

SCALA MAGGIORE E MODI 2

LEZIONE

4/4
Gtr I
  S S S S S S S S S S S S S S S S   S S S S S S S S +H
|-----------------------5-3-------|------------------------|
|-----------------3-5-7-----7-5-3-|------------------------|
|---------------5-----------------|-5----------------------|
|---------4-5-7-------------------|---7-5-4----------------|
|-------5-------------------------|---------5--------------|
|-3-5-7---------------------------|-----------7-5-3-(3)----|


  S S S S S S S S S S S S S S S S   S S S S S S S S +H
|-----------------------7-5-------|------------------------|
|-----------------5-7-8-----8-7-5-|------------------------|
|---------------7-----------------|-7----------------------|
|---------5-7-9-------------------|---9-7-5----------------|
|-------7-------------------------|---------7--------------|
|-5-7-8---------------------------|-----------8-7-5-(5)----|

  S S  S S S S  S S S S  S S S  S S S   S  S S S S  S S S +H
|--------------------------8-7--------|--------------------------|
|-------------------7-8-10-----10-8-7-|--------------------------|
|-----------------9-------------------|-9------------------------|
|----------7-9-10---------------------|---10-9-7-----------------|
|--------9----------------------------|----------9---------------|
|-7-8-10------------------------------|------------10-8-7-(7)----|

  S  S  S  S S  S  S  S S  S  S  S S  S  S S    S  S  S S  S  S  S S +H
|-------------------------------10-8---------|------------------------------|
|-----------------------8-10-12------12-10-8-|------------------------------|
|--------------------11----------------------|-11---------------------------|
|------------9-10-12-------------------------|----12-10-9-------------------|
|---------10---------------------------------|------------10----------------|
|-8-10-12------------------------------------|---------------12-10-8-(8)----|

   S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S
|----------------------------------12-10----------|
|-------------------------10-12-13-------13-12-10-|
|----------------------12-------------------------|
|-------------10-12-14----------------------------|
|----------12-------------------------------------|
|-10-12-14----------------------------------------|

   S  S  S  S  S  S  S  S  +H
|---------------------------------|
|---------------------------------|
|-12------------------------------|
|----14-12-10---------------------|
|-------------12------------------|
|----------------14-12-10-(10)----|

   S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S
|----------------------------------14-12----------|
|-------------------------12-13-15-------15-13-12-|
|----------------------14-------------------------|
|-------------12-14-16----------------------------|
|----------14-------------------------------------|
|-12-14-15----------------------------------------|

   S  S  S  S  S  S  S  S  +H
|---------------------------------|
|---------------------------------|
|-14------------------------------|
|----16-14-12---------------------|
|-------------14------------------|
|----------------15-14-12-(12)----|

   S  S  S  S  S  S  S  S  S  S  S  S  S  S  S  S
|----------------------------------15-14----------|
|-------------------------13-15-17-------17-15-13-|
|----------------------16-------------------------|
|-------------14-16-17----------------------------|
|----------15-------------------------------------|
|-14-15-17----------------------------------------|

   S  S  S  S  S  S  S  S  +H
|---------------------------------|
|---------------------------------|
|-16------------------------------|
|----17-16-14---------------------|
|-------------15------------------|
|----------------17-15-14-(14)----|

Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff
Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
<n> - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash
Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths